Passepartout: Afrolandscape (2019-) is a series of drawings that intricately weaves together narratives of personal memory, history, and cultural artifacts. Each piece in the series serves as a thread in a larger tapestry, connecting individual experiences with broader historical and cultural contexts. This evolving work opens a dialogue on themes like global racial identity, migration, and social dislocation, offering a rich exploration of the forces shaping our world. Rather than providing clear answers, Passepartout: Afrolandscape encourages viewers to engage deeply, confronting the layered realities of today’s global landscape. The series serves as both a mirror reflecting the complexities of our time and a window into the interconnectedness of history, identity, and culture.

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Through the lens of both personal and collective memory, Passepartout: Afrolandscape peels back the layers informing our understanding of the past and present. It urges viewers to reconsider inherited narratives and the identities we construct, becoming a space for contemplation and conversation. By engaging with Passepartout: Afrolandscape, viewers are invited to challenge their perspectives, explore the intersections of race and migration, and delve into the complexities of human existence. This series is not just a visual experience but a catalyst for thought, dialogue, and deeper understanding.

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Material: gold leaf, ink, acrylic, water-soluble polyvinyl acetate emulsion, wax with colored pigments, black markers, crayons, watercolor, egg tempera, oil on handmade paper, wood panels, and celluloid film.